Abstract-

This paper aims to explore Judith Butler’s concept of Gender performativity as central to Mahesh Dattani's play "Tara," by examining the condition of women in Indian society through the perspective of the play's titular character. In line with Butler's theory that gender is a performative act, Dattani's representation explores the nuances of gender identity creation within familial and societal contexts. The drama examines the dynamics of Tara's family, where her twin brother Chandan receives preferential treatment due to patriarchal ideals. Tara's chances are restricted by cultural expectations, which highlight the persistence of gender stereotypes and prejudices, despite her intelligence and desires. By deftly integrating gendered experiences into the story, Dattani illustrates how Tara's physical impairment and femininity interact to cause systematic marginalisation and prejudice. He provides examples of how gender standards are internalised and reinforced, even by women. Moreover, the immoral behaviors of men highlight how patriarchal ideology permeates society and shapes medical procedures as well as other structures. Dattani exposes the repercussions of challenging gender norms and the intricacies of individual agency inside authoritarian systems, taking on the violence and hypocrisy inherent in gender discrimination. "Tara"proves to be a potent indictment of both the marginalisation of women in Indian society and patriarchal rule. Dattani emphasises the performative element of gender identity and the repercussions of breaking from social norms by utilising Butler's concept of gender performativity.